Tips Music Limited (TIPSMUSIC) Earnings Call Transcript & Summary

July 22, 2026

NSEI IN Communication Services Entertainment earnings 42 min

Earnings Call Speaker Segments

Operator

operator
#1

Ladies and gentlemen, good day, and welcome to Tips Music Limited Q1 FY '27 Earnings Conference Call hosted by MUFG. [Operator Instructions] Please note that this conference is being recorded. I now hand the conference over to Ms. Ayushi Gupta for opening remarks. Thank you, and over to you, ma'am.

Ayushi Gupta

attendee
#2

Thank you. Good evening, ladies and gentlemen. I welcome you to the Q1 FY '27 Earnings Conference Call of Tips Music Limited. To discuss this quarter's performance, we have from the management, Mr. Kumar Taurani, Chairman and Managing Director; Mr. Girish Taurani, Executive Director; and Mr. Sushant Dalmia, Chief Financial Officer. Before we proceed with the call, I would like to mention that some of the statements made in today's call may be forward-looking in nature and may involve risks and uncertainties. For more details, kindly refer to the investor presentation and other filings that can be found on the company's website. Without further ado, I would like to hand over the call to the management for their opening remarks, and then we can open the floor for the Q&A. Thank you, and over to you, sir.

Kumar Taurani

executive
#3

Good evening, everyone, and welcome to Tips Music Limited's Q1 FY '27 Earnings Call. Thank you for joining us today and for your continued trust in the company. Our catalog and new releases are doing very well. As a result, our growth as well as engagement has improved across all platforms. Your company has announced a separate Board meeting to consider buyback of shares on 5th August 2026. As stated earlier, we remain committed to distribute last year's PAT that is INR 217 crores this year in form of dividend and buyback. With that, I would now like to invite Girish to share his perspective on the quarter. Over to you, Girish.

Girish Taurani

executive
#4

Thank you, Kumar. Good evening, everyone. I'm pleased to share that we delivered a strong quarter with healthy contributions, both digital and non-digital segments. During Q1 FY '27, we released 73 songs, including 55 film songs and 18 non-film songs. Our key releases, [ Hirani Tha ] and [ Nevppasnga ] received an encouraging response from the audiences. The album [ Hirwanioha ] crossed 186 million views on YouTube, while its most popular track, [indiscernible] crossed 70 million views. Similarly, the music album, [ Mevppasnga ] achieved nearly 100 million YouTube views with female versions of [indiscernible] May witnessing strong traction on Spotify. A from the movie print secured a position among the top 10 songs on Spotify's daily charts, highlighting the enduring appeal of our music library and its catalog. Further strengthening our digital footprint, our cumulative YouTube subscriber base increased to 158.3 million reflecting sustained audience engagement and the growing reach of our content across platforms. I will now be handing over the call to Sushant to take you through the financial performance in detail. Thank you, everybody.

Sushant Dalmia

executive
#5

Thanks, Girish, and welcome, everyone, to the Q2 FY '27 earnings call. I'm pleased to present the key financial highlights for the quarter. Revenue for Q1 FY '27 stood at [ INR 106.51 ] crores, reflecting a 21% Y-o-Y growth. Content costs increased by 90% Y-o-Y, driven by our new releases. Please note that as per our conservative accounting policy, we have expensed the entire content cost of the new releases in this quarter, while the corresponding revenue started coming from mid-month of May only. Profit after tax amounted to INR [ 4.8 ] crores, reporting Q1 [ '26 ]. With this, I conclude my opening remarks and open the floor for Q&A.

Operator

operator
#6

[Operator Instructions] The first question is from the line of Akshay Kolekar from Dalal & Broacha.

Akshay Kolekar

analyst
#7

So my question is on basically the content cost basically. So you are -- for last quarter, you are saying that INR 80 crores to INR 90 crores of content we have acquired for the whole year. But we see that on this quarter, like Q1, your total content cost is around INR 40 crores. So do we still expect this -- is there any increase in the content cost in going onward next quarters? Or do we still maintain the INR 80 crores, INR 90 crores of content cost?

Sushant Dalmia

executive
#8

The overall content for the year would be in that range of INR 90 crores to INR 100 crores, reflecting our continued commitment to building strong content library. We have a robust new release pipeline also for the year. That includes, let's say, music from [indiscernible], music from [indiscernible] and other, let's say, regional and non-film music releases also. And we are also pleased to report that the content released in Q1 has performed exceptionally well, reinforcing our confidence in the strength of this pipeline.

Akshay Kolekar

analyst
#9

Okay. Got it. And then my second question is on [indiscernible] as we see that the paid music subscription has been continued growing in India. So could you -- do you expect that subscription revenue becomes the larger contribution than advertised revenue like what will be the mix over 5 years horizon? Like how much is for subscription and advertisement revenue? And could you give a percentage-wise like for this quarter, how much is for subscription-based revenue and advertisement [indiscernible]

Sushant Dalmia

executive
#10

Subscription-based revenue across platforms on an average is currently, let's say, 10% to 15%. But let's say, if you see globally, subscription is the main driver, more than 50% of the revenue comes from subscription India also, we see that percentage moving ahead over the next 3 to 5 years. And most of the platforms, be it Spotify, YouTube or other platforms, they are pushing more towards subscription. So going ahead, let's say, we see a healthy growth and the paid subscribers are also growing, let's say, in the range of 40% to 50% CAGR.

Akshay Kolekar

analyst
#11

Okay. And my question is on EBITDA margin. Like if you check the historically also, we have maintained around 65% to 70% of EBITDA margin unlike normalized level for a full year basis. So due to a larger portion of content cost this year around 40% EBITDA margin. So this EBITDA margin do we expect any structurally lower margin in the next quarter or going around 65% to 70%.

Sushant Dalmia

executive
#12

EBITDA margins, you have to look on an annual basis. Quarterly, there could be aberration due to content releases. But on an average, let's say, on an annual basis, it would be in that range what you said 65% to 70%.

Akshay Kolekar

analyst
#13

So annually basis, we have maintained the 65% to 70% margin.

Operator

operator
#14

The next question is from the line of Sagar Jethwani from Phillip Capital PMS.

Sagar Jethwani

analyst
#15

One of the questions just got answered. I have a couple of questions. Can you comment on the pipeline of the film-based in Q2 specifically? That is my first question.

Sushant Dalmia

executive
#16

I can't comment, but let's say over this year, as I said in my earlier answers, there are releases from music movies from [indiscernible] and let's say, a healthy slate of both regional and [indiscernible], it would depend on how the movie scheduled, but this is, let's say, the tentative pipeline.

Sagar Jethwani

analyst
#17

So how many film songs it would be? How many number of films are there for this year?

Sushant Dalmia

executive
#18

At least five of them, but see how, let's say, the movie get scheduled get released. But tent... And [ secondly ], global music labels INR 50 to INR 0 as per your presentation per stream, where the labels in India, they are earning INR 4 to INR 0.0 per stream. So what explains this gap? Do you see some kind of convergence happening there? [indiscernible], the subscription that is a gap. Globally, let's say, the subscription price is also higher and the subscription percentage is also higher, that is around 50% to 60%. And India, currently the subscription price is also lower and the overall percentage revenue is around 15%. So that's the gap.

Sagar Jethwani

analyst
#19

Any other player taking the price hike apart from 45 they have taken last year?

Sushant Dalmia

executive
#20

End of the last calendar have taken the price hike. As of now, no one has taken it, but we think there could be something in the pipeline, but difficult to comment on.

Operator

operator
#21

The next question is from the line of Saket Mehrotra from Tusk Investments.

Saket Mehrotra

analyst
#22

My question is more around what sort of guidance are we working on in terms of the revenue? And secondly, on the buyback, how are we placed? -- we are going to -- like have we just moved the agenda from today to the date in August?

Sushant Dalmia

executive
#23

We continue to maintain [indiscernible] the open market buyback, which becomes effective from 1st August. And therefore, let's say, the Board meeting for buyback was rescheduled to August...

Operator

operator
#24

The next question is from the line of [ Ravi Kumar Naredi ] from Naredi Investments.

Unknown Analyst

analyst
#25

Kumar, again, you have delivered very good numbers. Can you bifurcate content cost of how much cost we had...

Kumar Taurani

executive
#26

See, we can't reveal that figure. That's the confidential. So sorry, we can't do that. We can't tell you that it's a competitive market, so we can't do that.

Unknown Analyst

analyst
#27

Understand. -- understand. Or can you tell how much content cost towards film song and non-film song in this quarter 1?

Sushant Dalmia

executive
#28

Mostly film music. Mostly it's a film music.

Unknown Analyst

analyst
#29

And how much cash we are having on 30th June? A lot of cash we are having. Sushant, can you tell us...

Sushant Dalmia

executive
#30

Ravi, it's around INR 345 crores as on 30th June. But the buyback, we will do [indiscernible]

Kumar Taurani

executive
#31

See, we don't know how much that exchanges and SEBI is allowing. So let us see.

Unknown Analyst

analyst
#32

Okay. Sir, next release Balaji will come. If you want to go the buying back next date, why you announce in today meeting because the momentum of share prices have vanished like anything...

Sushant Dalmia

executive
#33

The Board wanted to evaluate the open market buyback and that is effective 1st August. So the Board decided let's do it on 5 August and evaluate both the options, open market or tender offer and then accordingly -- and we have communicated clearly that this has been deferred by a few days. The buyback option will be taken at the Board meeting of August.

Kumar Taurani

executive
#34

So I think we will make some money on this film...

Operator

operator
#35

The next question is from the line of Kavish Parekh from 360 ONE Capital.

Kavish Parekh

analyst
#36

Sir, just wondering on the growth. While we witnessed steady top line growth for this quarter, about 21% Y-o-Y, but this was also a quarter with 2 movie releases. If I look at FY '26, despite no major movie releases, the top line growth was 20% plus. What explains the slightly soft growth this time, 2% Q-o-Q despite having new releases, 2 releases, both the movies we had this quarter? I know we do not break down revenue details, but would it be great to get some color directionally, -- did you see some weakness on the -- relative weakness on the digital side, non-digital? Last quarter was pretty strong at 32% Y-o-Y. So any color, any explanation here would be great.

Sushant Dalmia

executive
#37

This song, let's say, got released, let's say, during the mid-month of May and during the June month only. So the full revenue impact is not there this quarter. And you will start seeing the full impact from Q2 onwards. I won't be able to comment on the digital, non-digital piece separately. But let's say, if you see the presentation, the digital segment has contributed around 75%. So that's healthy for us. And as the year, let's say, quarter pass on, we will see that number growing both digital and non-digital.

Operator

operator
#38

The next question is from the line of Yashowardhan Agarwal from IIFL Capital Asset Management Limited.

Yashowardhan Agarwal

analyst
#39

To the subscription basis, right? So what would be the realistic numbers that you think could be in the future to your thoughts on that industry, I can only say that the growth is in single digit for this year. But let's say for us, we are seeing a strong traction, and we continue to maintain our guidance of -- so that must be something which is not growing in the overall pie, right, that the industry is growing at single digit. So since the [indiscernible] let's say, in terms of it all depends on the content, let's say the content is doing well. Our catalog is doing well. So you see a higher growth rate for us. On the industry front, it comment...

Unknown Executive

executive
#40

Mentioned that Spotify is targeting around INR 15 crores potential users in India, right? So assuming INR 1,000 per customer spend that could translate to INR 15,000 crores, of course, not in a few years. But let's say in the medium term, 7 years down the line even 50% [indiscernible] around INR 7,000 to INR 8,000 crores revenue for the overall music label. Would that be the right way to look at it?

Kumar Taurani

executive
#41

Absolutely. Yes.

Yashowardhan Agarwal

analyst
#42

So my question is that Spotify had revised the subscription prices in mid-May negatively. So do we expect any impact of that in our revenue going...

Kumar Taurani

executive
#43

Yes, not a material impact...

Yashowardhan Agarwal

analyst
#44

That won't have a material impact -- and sir, what would be the YouTube supposed to happen in June or July this year...

Sushant Dalmia

executive
#45

[indiscernible] are still going on. And probably we'll update you next -- let's say, by end of Q2.

Yashowardhan Agarwal

analyst
#46

Okay, sir. Sir, my last question is that you mentioned that we are still holding on to our guidance of 20% revenue growth and 20% PAT growth with content acquisition cost to be in the range of INR 85 crores to INR 90 crores...

Operator

operator
#47

The next question is from the line of [ Chirag ] from Keynote Capital.

Unknown Analyst

analyst
#48

My first question is that I am able to see that there is an additional 4,000 music library added, which used to around 34,000 to 38,000. Is there a one-off or a separate buyout that we have taken in this particular quarter, which has included our content cost?

Sushant Dalmia

executive
#49

So Chirag, it is -- let's say, last year, we had acquired [ Gujarati ] catalog. So let's say, by end of Q4, we had digitalized everything and that gets added to the library. So that had around INR 400...

Unknown Analyst

analyst
#50

Got it. Second thing, I wanted to understand related to if there is any kind of an exclusive we have with some artists for the nonfilm song specifically. Does this industry functions in this way or no one can have a particular exclusivity in this particular industry?

Kumar Taurani

executive
#51

Ag, we don't have -- let's say, we are not -- we are not there into that artist management business. We are focused primarily on the music content business. We don't have any specific exclusivity with any of the major art -- but we are signing major artists, but we are doing a deal for 1 song, 2 songs, 3 songs, song wise deals we are doing.

Unknown Analyst

analyst
#52

Fair enough. Fair enough. Just one last question from my side. Just wanted to understand, like a lot of large players in this industry are getting from the international market. They would have ample amount of money to spend or to acquire songs. Does this additional number of players or the ability for peers to spend a huge amount of money towards the content, is it impacting the industry in a way that content acquisition cost in the industry is going up compared to what it is 5 years back? And down the line, our focus would be that the mid-level, we don't try to compete in the upper bandwidth still will face some kind of competitive intensity leading to slightly higher cost than whatever we are spending today.

Sushant Dalmia

executive
#53

You want to take it?

Kumar Taurani

executive
#54

Yes. I think I feel it won't create any impact on us because we have a relationship in place. And we also create a lot of our own music. So now in this forthcoming film, we are providing music to the film companies. So that is really a strong point only [indiscernible] has at present. So we -- I don't feel we will have any competition. We will to we will survive better than everyone else.

Operator

operator
#55

The next question is from the line of [indiscernible] from Unicorn Assets.

Unknown Analyst

analyst
#56

Sir, a couple of questions. Firstly, there were some news around some stake sale or purchases. Would you like to comment anything...

Sushant Dalmia

executive
#57

There's nothing -- no stake sale or anything from, let's say, the promoter end. The news -- there are various news which flows around in terms of the stake sale on a quarterly basis, but nothing as of now or in pipeline.

Unknown Analyst

analyst
#58

Okay. Just wanted a broad perspective, even if I understand promoters are not looking to exit the company. But is there anything strategically we are looking for like to partner with some other player, maybe in the industry, maybe internationally in such a way that is beneficial for the company as a whole. So that's more of a view that I was looking to get from the promoters. I understand that obviously no one.

Sushant Dalmia

executive
#59

We already have a -- we already have partnerships. Let's say, we are the only ones who have the partnership, let's say, with Warner Music as a distributor, Sony Music Publishing as a distributor. So let's say, we are the only one in terms of the larger labels who have such partnerships.

Unknown Analyst

analyst
#60

Yes. So nothing strategically we are looking to get investment in the company Great. Secondly, after exit from Mr. [ Hara ], are we looking for someone else? And what are the plans?

Sushant Dalmia

executive
#61

Sir, you want to take it?

Kumar Taurani

executive
#62

Yes. Actually, we are searching for the right candidate. But at present, Sushant and Girish is handling very well business as usual. But we are looking for one person. I think in the industry, our industry, if you see, there are very less people for that post. So soon we'll get someone. And definitely, we need that position. So we will definitely appoint someone soon.

Unknown Analyst

analyst
#63

Yes, definitely because I think he was actively working on getting us deals through various channel partners as -- so I hope we get someone who can help us on a broader way. And anything we are hearing on TikTok or in the sense, good monetization from YouTube Shorts or something?

Kumar Taurani

executive
#64

YouTube Shorts is still we are discussing with yes, [indiscernible], on.

Sushant Dalmia

executive
#65

YouTube Shorts deal is under negotiation. So give us a quarter, we'll provide more color on it. And second, let's say, in terms of, let's say, newer platform, let's say, Amazon Music has started its 3-tier structure and from non-Prime members. So that's quite positive news for the industry.

Unknown Analyst

analyst
#66

Okay. Great. I think YouTube Shorts is long awaited now. So it's time that we get through something I hope...

Unknown Executive

executive
#67

The market also understands that the company's content cost heavy in this quarter. It will normalize over the year.

Sushant Dalmia

executive
#68

Yes, that's true.

Operator

operator
#69

The next question is from the line of [ Shirish Bae ] from [ Alembic ] Pharmaceuticals Limited.

Unknown Analyst

analyst
#70

Yes. So if I look at the content cost for FY '26 and the number of songs released and the same for this quarter. So the content cost per song has gone up around 4x. So any particular reason for that? Or how should we look at this number?

Sushant Dalmia

executive
#71

Let's say this quarter, the releases were primarily film music. So overall, let's say, they are much more expensive. And let's say, last year, it was primarily non-film and regional music. So that way, let's say, comparison of, let's say, cost on a per basis won't be the right metric.

Operator

operator
#72

The next question is from the line of [ Jainil Bharat ] from Prudent Corporate Advisory.

Unknown Analyst

analyst
#73

So my question was regarding employee costs. So even though we saw a 50% increase last year in employee cost, this quarter 2, we have seen a 30% increase in it. So is that a sustainable growth rate, which is going to be there in the near future? So that's my first question.

Sushant Dalmia

executive
#74

On the employee cost, let's say, in December quarter due to the change in the labor code, we have moved a few of the full-time consultants on the payroll. So let's say, your other expenses have come down and the employee cost you see have increased. But netting both against each other, there is no impact on the profit. And going ahead, let's say, the employee cost would be in a similar range as the first quarter.

Unknown Analyst

analyst
#75

For the full year? Sorry? For the full year, it will be around...

Sushant Dalmia

executive
#76

This quarterly run rate would be there.

Unknown Analyst

analyst
#77

And the second question was regarding the YouTube Shorts deal, which was supposed to happen in Q1 or Q2. So is there any update on that?

Sushant Dalmia

executive
#78

As mentioned earlier, it is still under negotiation and let's say we'll update at the end of Q2. Okay. Another question I had was regarding how much market share would Spotify hold in our revenue or something? Revenue share, how much would Spotify hold? And is there any problem due to an overdependence on one single app or platform, which might give them a higher -- which might affect our revenues to... We don't give bifurcation platform-wise in terms of revenue share because these are competitive data points. But let's say, in terms of your second question, we don't see impact of, let's say, fewer platforms because at the end of the day, they also require the content and let's say, the music labels which provide content to them. So it's a win-win situation for both the platform and for us also.

Operator

operator
#79

The next question is from the line of [ Shweta Sharma ] from [ Ari ] Capital.

Unknown Analyst

analyst
#80

My question is regarding EBITDA margin. So due to higher content charges, the EBITDA margin is a little bit this quarter. So what is your view on going forward? Should we recover in the range of like around what is the sustainable margin for full year FY '27 and going forward?

Sushant Dalmia

executive
#81

Shweta on an annual basis, the EBITDA margin would be in the range of 65% to 70%. You can take that assumption.

Unknown Analyst

analyst
#82

And sir, what is our view on content charge for full year basis and next 2, 3 years?

Sushant Dalmia

executive
#83

So this year, we are looking at around, let's say, around that INR 90 crores to INR 100 crores. And this also depends on that movie release schedule. And over a longer term, it would be in that range of percentage to revenue, that is 20% to 25%...

Operator

operator
#84

The next question is from the line of [ Chirag ] from Keynote Capital.

Unknown Analyst

analyst
#85

Sir, one question I would want to know is -- if I bifurcate our music library into some old songs and new songs, let's say, 5 to 6 years are the new songs and rest of the old songs. Is it possible for you to just give me a bifurcation of revenue? What percentage of revenue comes from the new songs and the old songs?

Sushant Dalmia

executive
#86

In terms of, let's say, new songs, we get approximately 15% of our revenue from the content which are released over the last 3 years. And the balance 85% is spread across, let's say, the past 3 decades.

Unknown Analyst

analyst
#87

Got it. Sir, secondly, I wanted to know like you said that our policy for the content acquisition is around we like to spend about 20 to 25 of the revenue. Is this a particular mark or it's more driven by the actual content get released. For example, if I see a period of last 3 years, the movie released compared to a decade back, let's say, 2017, '16, which was in the range of 1,400 movies a year, it fell down to about 1,000. And that was the reason we were spending a little less. And now if I'm able to see the pipeline of movies coming in this particular year, is it possible that the cost can go up based on the quality of content coming and your capability to spend on the quality content, which you like is the right one, this can actually go up. It is not an actual mark that you want...

Sushant Dalmia

executive
#88

Chirag, we have kept this as a budget of 20% to 25%. And let's say, our dependency on the outside, let's say, production houses is also limited. 1/3 of our content comes from outside production houses, 1/3 comes from films and 1/3 we do non-film. So that way, let's say, our dependency on outside production houses is limited. Another thing is primarily, let's say, on the quality front, let's say, we have a good AR team in place, which ensures good quality music comes to us. And in some years, if we want, let's say, we can exceed 1% or 2%, let's say, 25% can become up to 30%, but it would strictly be on the quality of the content which we are getting. But anyway, there are no pressure as such. There's enough content available in the...

Unknown Analyst

analyst
#89

Fair enough. Fair enough. And this was just linked to the content only. The cash distribution policy is dependent on the profits we earn? Or is it like it is dependent on the war money that we are keeping aside -- apart from that, whatever money we are willing to distribute as dividends or buyback?

Sushant Dalmia

executive
#90

Yes. And it's primarily linked to our revenue rather than anything else. Let's say, we strictly link our content budgets to the revenue what we earn.

Unknown Analyst

analyst
#91

No, I was talking about the cash policy. Content policy you specified related to revenue.

Sushant Dalmia

executive
#92

Cash, we have stated earlier also, whatever we are earning PAT of last year, we'll distribute that this year in form of dividends and buyback.

Operator

operator
#93

The next question is from the line of [ Shrenik Mehta ] from Indo Wealth.

Unknown Analyst

analyst
#94

Yes. So I think the questions have been asked already quite well. I just wanted to understand one small thing here. The content cost here was almost INR 45 crores, and we had only 73 new releases, which takes it to almost INR 61 lakhs per song. Is this the right way to see this? Because on an average, last year, it was around INR 15 lakhs per song. So is the overall cost going up? Or is it just kind of songs that we took this time was slightly higher cost? Small question.

Sushant Dalmia

executive
#95

[indiscernible], this quarter, let's say, it was primarily film music as compared to non-film music last year and regional music last year. So that's the difference. And as stated earlier, comparing, let's say, cost per song won't be the right metric.

Unknown Analyst

analyst
#96

Okay. But it's not a general trend that the cost is going up in general or so sharply between the previous year and this year?

Sushant Dalmia

executive
#97

So we are very conservative, let's say, in terms of our acquisitions. We don't enter into any bidding and let's say, our content policies are also divided well, let's say, 1/3 from 1/3 from outside production houses and 1/3, we do it internally. So that way, let's say, there is no significant cost pressure we face.

Operator

operator
#98

Ladies and gentlemen, due to time constraint, we take that as the last question. And we conclude this question-and-answer session. I now hand the conference over to Ms. Ayushi Gupta for closing comments.

Ayushi Gupta

attendee
#99

I would like to thank the management for taking their time out for this conference call today and also thank all the participants. If you have any queries, please feel free to contact us. We are MUFG Intime Private Limited, Investor Relations Advisers for Tips Music Limited. Thank you so much.

Operator

operator
#100

On behalf of Tips Music Limited, that concludes this conference. Thank you for joining us, and you may now disconnect your lines.

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